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· 4 min read

What to do with your child's drawings when there's no more room

Every parent reaches the same drawer. It is full, it will not close, and somewhere inside it are four hundred pieces of paper you cannot throw away and cannot look at either.

The reason this is hard is not sentimentality. It is that the decision has been deferred four hundred times, and each individual piece feels too small to deliberate over while the pile as a whole feels too big to face.

Here is a system that resolves it without asking you to be ruthless.

Decide the rule once, not four hundred times

The problem is that you are re-deciding at every piece of paper. Set the rule in advance and the sorting takes twenty minutes instead of a whole Saturday.

A rule that works for most families: keep the piece if it shows a first, a leap, or a person.

  • A first — the first time they wrote their name, the first recognisable face, the first time they drew the whole family standing together.
  • A leap — the drawing where something visibly changed. Suddenly there are fingers. Suddenly the sky comes down to the ground instead of floating.
  • A person — anything where they drew someone they love, especially if they told you who it was.

Everything else can be photographed and let go. Not because it does not matter, but because what mattered was the afternoon, and you were there for that.

Photograph properly, once

Most parents already have blurry photos of artwork buried in a camera roll, which is the same problem in a different drawer. Three things make the difference between a photo you will look at again and one you will not:

  1. Flat and square-on. Put the paper on the floor in daylight, stand over it, and shoot straight down. Not at an angle on the fridge.
  2. Daylight, no flash. Near a window, in the morning. Flash blows out crayon and makes pencil vanish.
  3. Say what it is. One line, at the moment you take it: who drew it, roughly when, and what they said about it. This is the part everyone skips and the only part you cannot reconstruct later. "John, 6, said Daddy was a giant."

That last line is worth more in ten years than the resolution of the image.

Keep a small number of physical pieces

Digitising everything and keeping nothing is a mistake in the other direction. Children like to find their own work in a box. Pick a real, physical limit — one A4 folder per child per school year is plenty — and let the folder be the constraint. When it is full, something comes out to make room. Your child can be the one who decides.

The bulky things

Paper mache, a shoebox diorama, anything with pasta glued to it: photograph it with your child holding it. In five years the photo of them grinning beside the volcano is the thing you want, not the volcano, which will have collapsed.

What to do with the digital pile afterwards

A folder of scans is still a drawer, just a cheaper one. What makes it worth having is turning it into something that gets looked at — a printed book at the end of the year, a slideshow on a birthday, a set you can actually find by searching a child's name.

If you do nothing else from this article, do the one-line caption. It is ten seconds now and it is the difference between an archive and a pile.


Keep My Kin was built for exactly this: scan a drawing, say one line about it, and it is kept — private to your family, with the original always yours to download. Free to start.

Keep what they made, before it’s lost.

Scan a drawing, record a bedtime message, keep it all somewhere private. Free to start — and your originals are always yours to download.

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